Evelyn Ramiel shows how board game geographies can invite players to consider their role in the intertwined politics of human and environmental history.
Herbalist Asia Dorsey reflects on a pandemic year when life and death cycles were especially present and describes Yellow Dock’s role as the grief worker of the plant world.
Tracing the ecological history of the Mojave National Preserve, Julia Sizek questions what was really lost in the Cima Dome Fire that killed swathes of Joshua trees.
In this multimedia meditation, Petra Rethmann describes how the practice of sensorial attunement (or attention to the world around her) brought healing and clarity to her pandemic isolation.
What does abolition look like? Ki’Amber Thompson discusses the need for more abolition visuals and how the Charles Roundtree Bloom Project brings outdoor healing justice to youth impacted by incarceration.
During the COVID-19 pandemic, video games offered Nat Mesnard and many others an escape from isolation. But the false promise of endless productivity in factory building games like Satisfactory ensnared them in a myth of capitalist “progress.”
Leah Marie Becker looks into the ways nineteenth-century domestic manuals portray homes as public infrastructure. This expansive and inclusive notion of infrastructure can inform how we approach environmental health in and after the COVID-19 pandemic.
What does abolition mean for the everyday ways we relate to ourselves, to other humans, to the land, and to the more-than-human world? In this poetic essay, Ki’Amber Thompson wonders how water—and the call to “be like water”—might change the way we think and talk about abolition.
The COVID-19 pandemic is an international event, but we still think of it in national terms. Juan Meneses outlines the limits of pandemic nationalism and imagines a way forward.
Alice Rudge examines how the language of “nature” has amplified xenophobia and reinforced colonial moral hierarchies during the COVID-19 pandemic.