For the Love of Frogs
Poison dart frogs in Colombia face threats from deforestation and the illegal wildlife trade. Heather Swan profiles Ivan Lozano, a conservationist who has dedicated his life to breeding and protecting these frogs.
Poison dart frogs in Colombia face threats from deforestation and the illegal wildlife trade. Heather Swan profiles Ivan Lozano, a conservationist who has dedicated his life to breeding and protecting these frogs.
Drawing on examples of urban wildlife refuges in California and Alaska, environmental attorney Nicholas Moore makes the case for not only protecting these places but creating more of them.
Kasey Keeler and Ryan Hellenbrand think beyond tourism to show how logging and forestry have impacted a tribal nation in Minnesota—and how storytelling and placemaking can be tools of both colonialism and Indigenous resistance.
Apple growers had a historically low harvest this year. Jules Reynolds asks: what does climate change mean for the future of Wisconsin’s orchards?
Weaving a reflective essay with a virtual gallery, artist Kwynn Johnson draws upon the rich history of volcano-inspired art to creatively reimagine the twenty-first-century Caribbean landscape.
“South Philly had Black history but no Black people.” Sterling Johnson, with Kimberley Thomas, ‎follows a century of green gentrification along the Schuylkill River.
In ecohorror movies like Shin Godzilla and The Host, pollution fights back in the form of rampaging sea monsters. Lindsay S. R. Jolivette traces the significance of water in these films—and what it reveals about our worst nightmares.
The COVID-19 pandemic has upended global circuits of resource extraction. Brian Ikaika Klein, Stephanie Postar, Laura Dev, Hilary Faxon, and Matthew Libassi tell the story of a gold-filled suitcase to show how.
Caitlin Joseph argues that Indigenous water governance practices are necessary to creating a more equitable Great Lakes.
In this genre-queer meditation on mapping, Tori McCandless interrogates the colonial ramifications of the map while exploring processes of embodied and intertextual mapping that account for the interwoven histories of California’s coast. They ask: how can we know a place through touch and text?