The Colonial Depths of Seasteading
Ivey Wexler draws parallels between libertarian’s interest in seasteading to oceanic colonialism in the nineteenth century, especially as Robert Stevenson illustrated in The Ebb-Tide.
Ivey Wexler draws parallels between libertarian’s interest in seasteading to oceanic colonialism in the nineteenth century, especially as Robert Stevenson illustrated in The Ebb-Tide.
Edge Effects asks scholars to recommend creative works that explore aesthetic resistance to environmental precarity, or celebrate cultural traditions uplifting alternative ecological narratives and knowledge centered in care, kinship, and storytelling.
Angeline Peterson interviews Jill Jarvis on her forthcoming book project Signs in the Desert through her journey into studying the Sahara. Discussing a variety of sources, they challenge the view of deserts as empty spaces and highlight the Saraha as a vibrant, interconnected ecosystem suffering the aftermath of colonial violence.
Books about nature and the environment are a wonderful way to help young readers appreciate our planet. For Edge Effects’s tenth birthday, Megan Schliesman and the CCBC recommend ten environmental children’s books for middle grade readers.
Beyond “doom bros” and end-of-history narratives, Jessica Hurley’s new book looks to the stories Black, queer, Indigenous, and Asian American writers tell about nuclear infrastructures and the radical politics of futurelessness.
In conversation with Shelby Brewster, Jemma Deer discusses her new book, Radical Animism: Reading for the End of the World.
The histories of fermentation and its unruly twin, rot, provide key insights into race, power, and resistance on plantations in the Caribbean.
In conversation with Min Hyoung Song, Heather Houser considers how stories and art make overwhelming scientific data meaningful—and how they trouble, interrogate, and transform it.
A poetic and visceral narrative of salt mining in Gujarat, India, Divya Victor’s Kith calls attention to the lives and deaths of salt farmers.
A 19th-century novel about a (white) women’s utopia at the center of the earth documents the long history of American eugenics and ecofascism.