Fish Farming in the Digital Cloud
Patrick Brodie investigates the complex political ecology of energy, data, and fish in Ireland’s peat bog aquaculture.
Patrick Brodie investigates the complex political ecology of energy, data, and fish in Ireland’s peat bog aquaculture.
Amy Gaeta argues that drones designed to mimic birds raise the alarm not just about unwanted surveillance but the appropriation of more-than-human life.
Community cats lead diverse multispecies lives outside of human care, but they should still be valued. Kuhelika Ghosh explores how human stewards can engage in forms of “non-kin” care to help them thrive in their outdoor environments.
Jayme Collins explains how a new generation of climate activists draw from histories of protest art to reveal the ties between the art world and fossil fuel capitalism.
Authors Dipti Arora & Astha Chaudhary investigate how politics, media, and affective relationships complexly shape human-crane encounters in India—with positive and negative consequences for both species.
La lógica de las plantaciones le dan forma a nuestra vida. El género es hoy un monocultivo, pero Max D. López Toledano y Topaz Zega sugieren que cultivar policultivos del género nos ofrece nuevas maneras de florecer.
The outdoor recreation economy (ORE) is where land, labor, and leisure collide. Mara MacDonell explores the complexities and complications behind the apparent rise of ORE, including housing insecurity, economic inequality, and environmental degradation.
Indian artist Jagannath Panda is known for his play imagination of urban life. Sreyashi Ray explores how it uses rich textiles and figures to highlight the intersection of human and other-than-human issues that resonate with viewers from all around the world.
Once a fringe event, Fat Bear Week has recently come to the attention of mainstream media. Margaret McGuirk argues that this seemingly frivolous program in fact gives us an opportunity to revel in a queered view of nature.
Internet aesthetic niches are not often seen as climate solutions. However, Madi Whaley argues that the gremlincore aesthetic, focusing on lesser-loved things in nature, serves as an environmental ethic rooted in abundance.