Beautiful Sludge as Queer Ecology

During the Covid-19 pandemic, Quinn Luthy found refuge in the Newtown Creek, a superfind site in New York City. Its toxic sludge and dandelion wilds harbor queer ecology and nonbinary resistance.

Photo collage of rice, fields, and cotton plants

Legados de las plantaciones

El Antropoceno da nombre al cambio ambiental provocado por la acción humana. El Plantacionoceno sitúa el colonialismo, el capitalismo y las jerarquías raciales persistentes en el centro de la conversación y se pregunta qué modos de resistencia, pasados y futuros, podrían surgir.

A brown snake curled up on a brown, rocky ground between a large rock and a shrub.

Mapping the Social Lives of Rattlesnakes

For many people, rattlesnakes are scary at worst, mysterious at best. Amber Aumiller maps rattlesnakes’ social lives and where they intersect with humans’ in Utah’s San Rafael Swell. These desert kin, she shows, are much more complex than most people imagine.

A statue of a cowboy with a cigarette in its mouth, a gun slung around its waist, and its arms held in a shrugging gesture. Beneath him are the words, "'Wendover Will' Welcomes you to West Wendover." Behind the statue, a road, small buildings, and mountains are visible.

Lukas Marxt Lets the Toxins Speak

Juntao Yang examines how Lukas Marxt renders the specter of toxicity visible and knowable in his experimental film, Among The Palms The Bomb (2024). The film, they argue, is a study of the technology of witnessing and a call for deep attunement to the land.

several rows of pet tombstones at a grassy pet cemetery

Landscapes of Displacement and the Politics of Dead Pets

In 1977, the pets of a Los Altos, California cemetery were exhumed and relocated to Napa. Zak Breckenridge argues Errol Morris’s Gates of Heaven documentary on the event is a prehistory of today’s housing and land crisis.

An owl's wings are visible against a dark background in the bottom left-hand corner of the screen.

Camera Trap Poetics

After the Woolsey Fire devastated the Santa Monica Mountains in California, researchers placed trail cameras to observe the return of wildlife. Chase A. Niesner composed and performed “Signs of Life” from the images captured. In this exhibit, he reflects on the essence of being and the passage of time captured in this great return.