In reviewing Robert Macfarlane’s forthcoming book IS A RIVER ALIVE?, Anna Christensen Spydell connects the colonial mistreatment and dehumanization of Indigenous and immigrant “Others” to the pollution and objectification of rivers around the world.
Katherine Gregory explores how Cauleen Smith’s short film REMOTE VIEWINGÂ (2011) excavates buried histories of racial violence and challenges audiences to rethink who has the right to shape the land.
Ann Xiaoxu Pei explores the whale as a historical symbol of extractive capitalism through sensory remediation in Deke Weaver & Jennifer Allen’s performance Cetacean.
Jessica Richardson reviews Sophie Chao’s book IN THE SHADOW OF THE PALMS, with a focus on indigenous groups’ nuanced feelings and relations with plantation lifeworlds as well as their radical openness toward the future.
In this review of Ron Broglio’s Animal Revolution, Taylin Nelson investigates how animals resist human structures and technologies and how Broglio’s book acts as a field guide for humans.
Svenja Engelmann-Kewitz reviews Heather Davis’s book Plastic Matter, which theorizes the queer potentials and complex legacies of plastic.
Maria Tane reviews feminist geographer and glaciologist M Jackson’s debut novel, which reveals a profound connection between melting ice and missing women.
Annie Proulx’s 2022 book Fen, Bog, and Swamp is a melancholy love letter to wetland ecosystems. But missing from this lament, Nino McQuown argues, are hopeful histories of resistance.
Werewolves and petro-masculinity and extractive capitalism, oh my! In this review of a recent horror-comedy film, Addie Hopes and Richelle Wilson examine an overlooked aspect of the story. Where pipelines go, murder follows.
James Weldon reviews BBC’s docuseries The Green Planet, and considers whether new film technology can help humans better understand plants.
