On the metropolitan archipelago of Tiohtià:ke/Mooniyang, where planstic intermingles with organic matter, mixed media artist Alex Côté Hallé creates art that intertwines the urban, the fluvial, and the queer.
What does a garden become in winter? Émilie Gervais explores winter’s sensory and narrative landscape through a community garden’s fence.
Erin Charpentier and Travis Neel consider the place of weeds in our world in their living, collaborative art installation of honey mesquite trees, The Mesquite Mile.
For many people, rattlesnakes are scary at worst, mysterious at best. Amber Aumiller maps rattlesnakes’ social lives and where they intersect with humans’ in Utah’s San Rafael Swell. These desert kin, she shows, are much more complex than most people imagine.
Como parte del movimiento de los Protectores del Agua contra el oleoducto Dakota Access, los Guerreros de Drones utilizan la fotografía con drones como una forma de protesta. Una exposición curada por Adrienne Keene y Gregory Hitch destaca su trabajo.
After the Woolsey Fire devastated the Santa Monica Mountains in California, researchers placed trail cameras to observe the return of wildlife. Chase A. Niesner composed and performed “Signs of Life” from the images captured. In this exhibit, he reflects on the essence of being and the passage of time captured in this great return.
In this volatile (political) climate, wild Christmas tree harvest is more precarious than ever. Allen Myers photographs migrant laborers in northern California as they navigate local ecologies and global economies.
Dongbay creates art to help others reflect, connect, and perceive in the Anthropocene. His Synthetic Totems combine fragments of nature with discarded waste.
Poet Ann Fisher-Wirth collaborates with photographer Wilfried Raussert and a team of translators to interpret street art across the Americas. Together, they illustrate the interconnectedness of people and nature in urban environments.
What does the Anthropocene look like? Angelica Modabber disentangles the complex layers of memory, ecological change, and identity in contemporary Iranian photography.