A Living Archive of Wahnabeezee
Talitha Pam investigates the ecocritical function of a visitor notebook placed on Wahnabeezee/Belle Isle, a 982-acre island in the Detroit River.
Talitha Pam investigates the ecocritical function of a visitor notebook placed on Wahnabeezee/Belle Isle, a 982-acre island in the Detroit River.
Could seance be more than just a party trick? Sam Bean, Alison Schultz, Carmen Warner, and Barbara Leckie unpack its overlooked political history, including how the queer group Radical Faeries used seances to articulate an egalitarian, environmentally-connected identity.
Edge Effects invites scholars from different disciplines to introduce texts on care with the environment. These books also offer varied entries to multispecies and pluriversal topics in the classroom.
Sophie Chao traces how Marind People of West Papua suffer the effects of monoculture toxicity while also mourning for the waste it produces.
Ellie Kincaid turns to plants as kin through reflections on Victorian herbariums, coming across springtime trilliums, and their own journey of moving to Wisconsin.
Katherine Cheung examines the concept of plant blindness and the ways in which humans can understand the differing timescales of plants—ultimately attuning themselves to vegetal rhythms.
Dylan Couch traces the complex connections between Aldo Leopold’s conservation land ethic, worsening wildfire risk, and archival precarity that threatens not only living and physical things, but collective memory.
Yota Batsaki explores the ways Kapwani Kiwanga’s sculpture “On Growth” converges the past and the present, challenging human temporalities through exploration of plant time. The sculpture is on display at the High Line in New York City.
Natasha Maru engages with the pastoralist temporalities as experienced by Rabari nomads in Kachchh, India. This narrative ethnographic account highlights the changing rhythms of pastoral lifestyles with shifts in the political economy of the region.
Inspired by embalming practices and artificial flowers in graveyards, Madeleine Bavley pens a poem exploring how we might trouble time with synthetic substances.