Grave Decoration and Deep Time: A Poem
Inspired by embalming practices and artificial flowers in graveyards, Madeleine Bavley pens a poem exploring how we might trouble time with synthetic substances.
Inspired by embalming practices and artificial flowers in graveyards, Madeleine Bavley pens a poem exploring how we might trouble time with synthetic substances.
Monika Szuba confronts deep time through the examination of decay, between what is real and what is synthetic. In this, she writes that the long durée is not long enough to conceive the anthropogenic change unfolding around us.
Heather Swan speaks to author and poet Nickole Brown about her relationship with animals, the more-than-human world, and the Hellbender poetry conference.
Edge Effects editors look back on their favorite essays and podcast episodes published in 2023.
Jessica Richardson reviews Sophie Chao’s book IN THE SHADOW OF THE PALMS, with a focus on indigenous groups’ nuanced feelings and relations with plantation lifeworlds as well as their radical openness toward the future.
Authors Dipti Arora & Astha Chaudhary investigate how politics, media, and affective relationships complexly shape human-crane encounters in India—with positive and negative consequences for both species.
The outdoor recreation economy (ORE) is where land, labor, and leisure collide. Mara MacDonell explores the complexities and complications behind the apparent rise of ORE, including housing insecurity, economic inequality, and environmental degradation.
Once a fringe event, Fat Bear Week has recently come to the attention of mainstream media. Margaret McGuirk argues that this seemingly frivolous program in fact gives us an opportunity to revel in a queered view of nature.
Internet aesthetic niches are not often seen as climate solutions. However, Madi Whaley argues that the gremlincore aesthetic, focusing on lesser-loved things in nature, serves as an environmental ethic rooted in abundance.
Svenja Engelmann-Kewitz reviews Heather Davis’s book Plastic Matter, which theorizes the queer potentials and complex legacies of plastic.