Reforesting Pikirangi, Reckoning with Colonial Histories in Aotearoa/New Zealand
Sadie Rittman explores the history and significance of Pikirangi—a reforestation project—in Aotearoa/New Zealand.
Sadie Rittman explores the history and significance of Pikirangi—a reforestation project—in Aotearoa/New Zealand.
Indigenous modernist George Morrison’s works were once considered “not Indian enough” but were later curated as minoritized art. Matt Hooley explores how and why the radical meanings of Morrison’s art are obscured or misunderstood by cultural institutions.
Tomiko Jones embarks on a photographic project exploring deregulated public lands and questioning constructions of national belonging.
For Kelsey Dayle John (Diné), fences provide a site for reflecting on family, history, culture, and Navajo relationships to land and animals.
The Native American Rights Fund works toward multiple forms of justice: legal, environmental, and social. Staff attorney Dan Lewerenz explains how.
The University of Wisconsin–Madison was constructed through the erasure of Native monuments. But the land remembers. Graduate student Kendra Greendeer (Ho-Chunk) considers histories of settler erasure and contemporary efforts to commemorate Indigenous presence.
In his decades of work in forestry and cultural heritage for Menominee Nation, tribal member Jeff Grignon reads the lay of the land to find an ancient trail system.
Part of the Water Protectors movement against the Dakota Access Pipeline, the Drone Warriors use drone photography as a form of protest. An exhibit curated by Adrienne Keene and Gregory Hitch spotlights their work.
Rebecca Nagle’s podcast, This Land, examines tribal sovereignty and how the future of Muscogee (Creek) Nation may hinge on a case before the Supreme Court.