CHE Director Will Brockliss sits down with documentary filmmaker Jeff Spitz to reflect on the twenty fifth anniversary of his film THE RETURN OF NAVAJO BOY. Their conversation spans partnering with the Navajo Nation, ethical filmmaking, and the significance this film had not only on uranium cleanup in Monument Valley, Utah, but on one family who lives there.
Edge Effects asks scholars to recommend creative works that explore aesthetic resistance to environmental precarity, or celebrate cultural traditions uplifting alternative ecological narratives and knowledge centered in care, kinship, and storytelling.
What actually happens at the United Nations Conference of Parties (COPs)? Cody Skahan gives an insider view and wonders how youth environmental activism can persist amidst crackdowns on protest and the ever-present allure of political power.
Kate Phelps speaks with Sunaura Taylor on her book Disabled Ecologies. They discuss the contamination of the Tucson aquifer as an origin for understanding the mutual injury of humans and the environment.
Could seance be more than just a party trick? Sam Bean, Alison Schultz, Carmen Warner, and Barbara Leckie unpack its overlooked political history, including how the queer group Radical Faeries used seances to articulate an egalitarian, environmentally-connected identity.
Jagravi Dave speaks with Khairani Barokka on her poetry collection amuk. They use the book to connect tenselessness, the violence of colonial translation, and rage across personal, political, and environmental scales.
Eco-grief can feel isolating, but Guevara Han and Rae Jing Han draw on Filipino and Chinese ancestral practices to develop collective grieving practices.