Werewolves and petro-masculinity and extractive capitalism, oh my! In this review of a recent horror-comedy film, Addie Hopes and Richelle Wilson examine an overlooked aspect of the story. Where pipelines go, murder follows.
Chelsea Fisher follows the entangled histories of iron and paper in a second-growth forest.
The COVID-19 pandemic has upended global circuits of resource extraction. Brian Ikaika Klein, Stephanie Postar, Laura Dev, Hilary Faxon, and Matthew Libassi tell the story of a gold-filled suitcase to show how.
Anahkwet (Guy Reiter) discusses how Menominee language, culture, and history shape his work protecting the Menominee and Wolf Rivers.
During the COVID-19 pandemic, video games offered Nat Mesnard and many others an escape from isolation. But the false promise of endless productivity in factory building games like Satisfactory ensnared them in a myth of capitalist “progress.”
The new Enbridge Line 3 pipeline poses a slew of threats on treaty land. Ojibwe people lead the movement against its construction in Minnesota.
In light of the recent Global Witness report, Rob Nixon discusses the dangers environmental defenders face and their role as frontline workers in the fight against climate breakdown and zoonotic pandemics.
A poetic and visceral narrative of salt mining in Gujarat, India, Divya Victor’s Kith calls attention to the lives and deaths of salt farmers.
In ClearCut – The Wages of Dominion, photographer John Riggs presents a guided meditation about the cultural mindset behind clearcutting.
Steve Rowell’s film Midstream at Twilight uses drone photography to follow the toxic infrastructure of oil pipelines from source to refinery to gift shop.
