Poet Ann Fisher-Wirth collaborates with photographer Wilfried Raussert and a team of translators to interpret street art across the Americas. Together, they illustrate the interconnectedness of people and nature in urban environments.
What does the Anthropocene look like? Angelica Modabber disentangles the complex layers of memory, ecological change, and identity in contemporary Iranian photography.
Tomiko Jones embarks on a photographic project exploring deregulated public lands and questioning constructions of national belonging.
In this photo essay, Joseph Heathcott captures edge ecologies and life in between at Oaxaca’s urban-rural interface.
Astrophotography saw Kaitlin Moore through months of COVID-19 lockdown, developing connections among the universe’s most isolated subjects.
A photo essay by Christine Horn from her fieldwork in Sarawak, Borneo, shows how oil palm plantations rearrange and displace communities and landscapes.
Fifty years after the first Earth Day, how have environmental campaigns changed? Alexandra Lakind cautions against stereotypes that focus on the personal instead of the structural.
In ClearCut – The Wages of Dominion, photographer John Riggs presents a guided meditation about the cultural mindset behind clearcutting.
Part of the Water Protectors movement against the Dakota Access Pipeline, the Drone Warriors use drone photography as a form of protest. An exhibit curated by Adrienne Keene and Gregory Hitch spotlights their work.
Steve Rowell’s film Midstream at Twilight uses drone photography to follow the toxic infrastructure of oil pipelines from source to refinery to gift shop.
