Records of Tree Day ceremonies in Brazil’s public archives belie a mass felling of native trees over the twentieth century. Combining archival photographs with poetic text, the duo Paisagens Móveis re-craft the archive’s narrative through artwork: Cidade-Jardem, or Garden City.
What does a garden become in winter? Émilie Gervais explores winter’s sensory and narrative landscape through a community garden’s fence.
Rae Ferner Rose propone leer estas fotografías de la vida silvestre como una vía para explorar la agencia no humana. Las instantáneas de los nidos de aves jardineras y de peces globo, en particular, capturan la artesanía colaborativa tanto de la “vida silvestre” como del fotógrafo.
After the Woolsey Fire devastated the Santa Monica Mountains in California, researchers placed trail cameras to observe the return of wildlife. Chase A. Niesner composed and performed “Signs of Life” from the images captured. In this exhibit, he reflects on the essence of being and the passage of time captured in this great return.
Rae Ferner Rose uses wildlife photography as a lens into nonhuman agency. Snapshots of bowerbirds and pufferfish nests in particular capture the collaborative craft of both “wildlife” and photographer.
Poet Ann Fisher-Wirth collaborates with photographer Wilfried Raussert and a team of translators to interpret street art across the Americas. Together, they illustrate the interconnectedness of people and nature in urban environments.
What does the Anthropocene look like? Angelica Modabber disentangles the complex layers of memory, ecological change, and identity in contemporary Iranian photography.
Tomiko Jones embarks on a photographic project exploring deregulated public lands and questioning constructions of national belonging.
In this photo essay, Joseph Heathcott captures edge ecologies and life in between at Oaxaca’s urban-rural interface.
Astrophotography saw Kaitlin Moore through months of COVID-19 lockdown, developing connections among the universe’s most isolated subjects.
