Dark Fiction, Sinister Reality: A Conversation with Brenda Becette
In this bilingual podcast, Brenda Becette talks with Bri Meyer about the role of fiction in our dystopic reality. Becette’s short stories avenge women, children, and environment.
In this bilingual podcast, Brenda Becette talks with Bri Meyer about the role of fiction in our dystopic reality. Becette’s short stories avenge women, children, and environment.
Monika Szuba enfrenta el tiempo profundo a través del examen de la descomposición, entre lo que es real y lo que es sintético. En este contexto, escribe que la longue durée no es lo suficientemente larga para concebir el cambio antropogénico que se despliega a nuestro alrededor.
U.S. cities were built with and around horse-human-machine assemblages. Bri Meyer explores the one-time prominence and lasting impact of “cyborg” equine labor on Madison, Wisconsin.
Poet Ann Fisher-Wirth collaborates with photographer Wilfried Raussert and a team of translators to interpret street art across the Americas. Together, they illustrate the interconnectedness of people and nature in urban environments.
What does the Anthropocene look like? Angelica Modabber disentangles the complex layers of memory, ecological change, and identity in contemporary Iranian photography.
A gift for navigating our present: Academic faculty recommend new and old books, films, and exhibits that critically reflect on environmental futures and futurity.
Laleh Ahmad speaks with Ramachandra Guha on his new book, Speaking with Nature (2024). They discuss the history of environmentalism in India and how it differs from the West, especially through key thinkers’ intertwining of social justice and nature.
In these poetic fieldnotes, Mia Werger reflects on befriending feedlot cattle, surviving our broken food system, living under constraint, and dreaming of freedom.
In this exhibit, Christopher Conz and Christina Balch use archival materials and art to humanize the stories of migrant mining workers of southern Africa and reflect on the environments in which they live, work, die, and resist.
Ivey Wexler draws parallels between libertarian’s interest in seasteading to oceanic colonialism in the nineteenth century, especially as Robert Stevenson illustrated in The Ebb-Tide.