How Protest Artists Transformed Whitewashed History
In her poem and photo exhibit, Les James reflects on how protest artists transformed the Robert E. Lee monument in Richmond, Virginia and spoke back to history.
In her poem and photo exhibit, Les James reflects on how protest artists transformed the Robert E. Lee monument in Richmond, Virginia and spoke back to history.
Anahkwet (Guy Reiter) discusses how Menominee language, culture, and history shape his work protecting the Menominee and Wolf Rivers.
Drawing from postcolonial, Caribbean, Black, and Indigenous Studies, Sophie Sapp Moore and Aida Arosoaie curate a reading list that highlights the complex dynamics of plantation worlds, past and present. Their syllabus is the perfect end to our series on the Plantationocene.
Herbalist Asia Dorsey reflects on a pandemic year when life and death cycles were especially present and describes Yellow Dock’s role as the grief worker of the plant world.
Tracing the ecological history of the Mojave National Preserve, Julia Sizek questions what was really lost in the Cima Dome Fire that killed swathes of Joshua trees.
In this multimedia meditation, Petra Rethmann describes how the practice of sensorial attunement (or attention to the world around her) brought healing and clarity to her pandemic isolation.
From the scale of a landscape to the scale of a human body, Jamie Lorimer sees a “probiotic turn” underway that uses life to manage life.
What does abolition look like? Ki’Amber Thompson discusses the need for more abolition visuals and how the Charles Roundtree Bloom Project brings outdoor healing justice to youth impacted by incarceration.
Faced with climate change and a global pandemic, small-scale farmers are working together to prosper. Nicolas Loodts follows the supply chain of organic citrus fruits from Sicily to Belgium.
During the COVID-19 pandemic, video games offered Nat Mesnard and many others an escape from isolation. But the false promise of endless productivity in factory building games like Satisfactory ensnared them in a myth of capitalist “progress.”