No, Bats Aren’t Scary: Five Questions for Tessa Collins
This Halloween, consider the wild lives of bats today, adapting to a changing climate and facing a deadly (and spreading) fungus.
This Halloween, consider the wild lives of bats today, adapting to a changing climate and facing a deadly (and spreading) fungus.
Steve Rowell’s film Midstream at Twilight uses drone photography to follow the toxic infrastructure of oil pipelines from source to refinery to gift shop.
A new book, Border Land, Border Water: A History of Construction on the U.S.–Mexico Divide, traces border histories by looking to bridges as well as walls.
Inspired by TV as a medium, Marc Miller’s course in landscape architecture has students make environmental fiction about the future rather than design for the present.
A 19th-century novel about a (white) women’s utopia at the center of the earth documents the long history of American eugenics and ecofascism.
Bathsheba Demuth discusses her new book, Floating Coast: An Environmental History of the Bering Strait, and Arctic histories of ecological crisis and hope.
Hester Blum’s new book, The News at the Ends of the Earth, explains why 19th-century newspapers printed on polar expeditions offer a model for communicating in the age of climate crisis.
Gardening while in graduate school and on the academic job market means preparing to uproot, leaving a renter’s garden and broken promises behind.
Consider the pigeon. Impossible to categorize as nature or culture, the space between these binaries is where they thrive.
The National Vegetarian Museum celebrates Chicago’s vegetarian past with a traveling exhibit about the vegetarian firsts of the Second City and beyond.