Managing the Globe after Empire
New books by Perrin Selcer and Quinn Slobodian show how ideas about the global environment and global economy took shape in response to the end of empire.
New books by Perrin Selcer and Quinn Slobodian show how ideas about the global environment and global economy took shape in response to the end of empire.
A renewed push to open the Arctic to oil and gas drilling leads one writer to investigate petromodernity, arguing that oil flows through ideas of the environment as much as it does through the economy.
Four contemporary photographers use historical techniques to bring attention to the transient, illusory, and disposable items and people in our world. From tintype to cyanotype, these processes combine chemical knowledge and artistic insight.
We form attachments to the places around us, and they shape our sense of who we are. An educator uses that environmental identity to spark action.
In light of the US government’s controversial proposal to define gender as a “biological fact,” a trans scholar and artist critiques the use of “nature” to limit the messy, multidimensional reality of gender identity and expression.
Mainstream environmental discourse often employs emotions like fear, guilt, and outrage. But what about irony, humor, and irreverence? What feelings and what people get left out of environmentalism when we have such a limited emotional range?
Curious about ecohorror? An ecocritic recommends classic, campy, and little-known films that play with our culture’s deepest fears about nature. A few of these creature features just might get under your skin—literally.
Why were American radical environmental movements able to gain political and philosophical ground in the second half of the 20th century? Keith Woodhouse looks at this question through the history of Earth First! and its legacy today.
Plastic shapes us even as it contributes to our destruction. A performance studies scholar shares her creative approach to teaching about plastic and identity in an unavoidably plastic world.
How does the celebrated author of the new story collection “Florida” write books in a poisoned, warming world? “By being constantly, constantly angry. All day long.”